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    <lastmod>2025-12-19</lastmod>
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    <loc>https://www.musicheritageplace.uk/posts/carols-heritage-and-place-cornwall-in-focus</loc>
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    <lastmod>2025-12-19</lastmod>
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      <image:title>Posts - Carols, Heritage, and Place: Cornwall in focus - Make it stand out</image:title>
      <image:caption>Engraving of Davies Gilbert; engraved by John Thompson (1785–1866)</image:caption>
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      <image:title>Posts - Carols, Heritage, and Place: Cornwall in focus</image:title>
      <image:caption>Fragment from DG/132, fol 12v</image:caption>
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      <image:title>Posts - Carols, Heritage, and Place: Cornwall in focus - Make it stand out</image:title>
      <image:caption>Wheal Alfred (near St Erth, Cornwall)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/679285af1b420a4c6a147698/eae13c0b-d217-4f81-a3ac-f80b08c33350/Removal-order-Mark-Pawsey.webp</image:loc>
      <image:title>Posts - Carols, Heritage, and Place: Cornwall in focus - Make it stand out</image:title>
      <image:caption>Example of a removal order, dated 1834, from Essex County Record Office (shelfmark D/P 332/13/3/90). For more about settlement papers and removal orders, check out Essex County Record Office’s blog post here.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/679285af1b420a4c6a147698/908feeb6-674b-470f-a3c5-dde3b41c6c28/virgin+pure+MS+version.png</image:loc>
      <image:title>Posts - Carols, Heritage, and Place: Cornwall in focus - Make it stand out</image:title>
      <image:caption>Version of the carol ‘A Virgin most pure’ in DG/133 (fols 5v-6r)</image:caption>
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      <image:title>Posts - Carols, Heritage, and Place: Cornwall in focus - Make it stand out</image:title>
      <image:caption>Version of the carol ‘A Virgin most pure’ in Some Ancient Carols (1822), pp. 18b-18c</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/679285af1b420a4c6a147698/d43a8f34-794e-498f-8aea-4862a51133ff/twelve+days+DG.png</image:loc>
      <image:title>Posts - Carols, Heritage, and Place: Cornwall in focus - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/679285af1b420a4c6a147698/2fc82249-3559-42c7-bc15-d60fe641a6dd/IMG_0492.png</image:loc>
      <image:title>Posts - Carols, Heritage, and Place: Cornwall in focus - Make it stand out</image:title>
      <image:caption>Kresen Kernow DG/92, fol 15r. Document held by Kresen Kernow.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/679285af1b420a4c6a147698/4f6a0db5-b4c5-410f-8b11-1301f3e639ff/cornish+cross+dg.png</image:loc>
      <image:title>Posts - Carols, Heritage, and Place: Cornwall in focus - Make it stand out</image:title>
      <image:caption>Depiction of cross removed by Gilbert and placed in his personal manor (Langdon, Old Cornish Crosses [Truro, 1896], p.309)</image:caption>
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  </url>
  <url>
    <loc>https://www.musicheritageplace.uk/posts/carols-heritage-and-place-dorset-in-focus-part-2-of-3</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-19</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/679285af1b420a4c6a147698/96f72b40-1a1e-495d-8442-b47c297962a4/dorset+in+snow+2.webp</image:loc>
      <image:title>Posts - Carols, heritage, and place: Dorset in focus (Part 2 of 3) - Make it stand out</image:title>
      <image:caption>Shaftesbury (Dorset) in snow, 2022 (image from Dorset Live, Andrew Matthews/PA Wire)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/679285af1b420a4c6a147698/ffff0a05-c9a4-4c85-9db0-f194b90f8026/dorset+chart+1.png</image:loc>
      <image:title>Posts - Carols, heritage, and place: Dorset in focus (Part 2 of 3) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/679285af1b420a4c6a147698/2068bed7-1f39-4f74-8b03-614969d89424/IMG_2219.png</image:loc>
      <image:title>Posts - Carols, heritage, and place: Dorset in focus (Part 2 of 3) - Make it stand out</image:title>
      <image:caption>Dorset History Center D-WPC/Z/2: music book, inscribed Mr William Cave &amp; Mr William Masters Church Wardens Parish of Fordington May 1 1805’. Document held by Dorset History Centre.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/679285af1b420a4c6a147698/ca27590a-d856-4491-aa78-dd416d2bad9f/IMG_0941+-+Copy.JPG</image:loc>
      <image:title>Posts - Carols, heritage, and place: Dorset in focus (Part 2 of 3) - Make it stand out</image:title>
      <image:caption>Dorset History Center D-WPC/Z/10: ‘Carrol for Christmas 1824 from Upway’. Document held by Dorset History Centre.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/679285af1b420a4c6a147698/13d2c37b-4016-4610-9315-83598e3ed5fd/dorset+chart+2.png</image:loc>
      <image:title>Posts - Carols, heritage, and place: Dorset in focus (Part 2 of 3) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/679285af1b420a4c6a147698/e9b2eb64-f37f-46eb-94b2-6d0a106596f2/IMG_2050.JPG</image:loc>
      <image:title>Posts - Carols, heritage, and place: Dorset in focus (Part 2 of 3) - Make it stand out</image:title>
      <image:caption>8F/163 Library 1936/75/1, from the Hardy collection, front fly-leaf. Document held by Dorset History Centre.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/679285af1b420a4c6a147698/d5096609-93cc-44ee-a7a9-9deb48383e46/front+p-c+dorset+carols.jpg</image:loc>
      <image:title>Posts - Carols, heritage, and place: Dorset in focus (Part 2 of 3)</image:title>
      <image:caption>Frontispiece, William Adair Pickard-Cambridge, A Collection of Dorset Carols (London, 1926)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/679285af1b420a4c6a147698/2f90d201-81a3-404e-a330-9e2dc5fac1da/IMG_1291.png</image:loc>
      <image:title>Posts - Carols, heritage, and place: Dorset in focus (Part 2 of 3) - Make it stand out</image:title>
      <image:caption>D-WPC/Z/21, ‘Mortals Rejoice’ and ‘O Happy night’, inscribed ‘Bessie James’. Elsewhere in the manuscript, Bessie has indicated where she has copied words or musical fragments by writing ‘I done this’. Document held by Dorset History Centre.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/679285af1b420a4c6a147698/68ad010a-beeb-4725-b0de-e21a1aaa02d3/IMG_2469.png</image:loc>
      <image:title>Posts - Carols, heritage, and place: Dorset in focus (Part 2 of 3) - Make it stand out</image:title>
      <image:caption>D-WPC/Z/6, front paste-down inscribed ‘The Gift of Mrs Rice of the CHoir of Puddletown Feb 1st 1823’. Document held by Dorset History Centre.</image:caption>
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  </url>
  <url>
    <loc>https://www.musicheritageplace.uk/posts/carols-heritage-and-place-an-introduction-part-1-of-3</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-17</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/679285af1b420a4c6a147698/69930336-1eea-4001-9a48-4b632ec142e2/nether+wollop+carol.png</image:loc>
      <image:title>Posts - Carols, heritage, and place: an introduction (Part 1 of 3) - Make it stand out</image:title>
      <image:caption>‘While Shepherds were feeding their flocks’, from the Nether Wallop bass book (Hampshire Archives 210M87/2), fols 4v-5r. Digitisation provided by Hampshire Archives (available on archive.org)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/679285af1b420a4c6a147698/0fec7bd5-5a8a-4eb1-8448-d7d4019d4d74/selden+ms+bit.jpg</image:loc>
      <image:title>Posts - Carols, heritage, and place: an introduction (Part 1 of 3) - Make it stand out</image:title>
      <image:caption>‘A hevenly songe y dere wel say’, from the Selden carol book, c.1425-1450 (Oxford Bodleian Library MS. Arch. Selden. B. 26, part I; full digitisation available via Digital Bodleian)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/679285af1b420a4c6a147698/9eea9c12-d3f2-4ed8-b27f-3aa1899817df/CAROLS+county+map.png</image:loc>
      <image:title>Posts - Carols, heritage, and place: an introduction (Part 1 of 3) - Make it stand out</image:title>
      <image:caption>Number of sources with music for Christmas identified in county record offices per county</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/679285af1b420a4c6a147698/f4a50e75-74ca-470b-813d-833fafd23e45/chart+2.png</image:loc>
      <image:title>Posts - Carols, heritage, and place: an introduction (Part 1 of 3) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/679285af1b420a4c6a147698/fc2d8e3e-e907-40d2-bfe0-ed04073a5a9f/chart+2.png</image:loc>
      <image:title>Posts - Carols, heritage, and place: an introduction (Part 1 of 3) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/679285af1b420a4c6a147698/72d5c064-a80c-4efc-aa42-580d7043a183/chart+3.png</image:loc>
      <image:title>Posts - Carols, heritage, and place: an introduction (Part 1 of 3) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.musicheritageplace.uk/posts/d8w0wzdwcknrqvs1a0sz6zzsegb38l-gzw8w</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-25</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/679285af1b420a4c6a147698/d751d43a-3ce7-4876-8b09-4108deac70c8/Caro+at+medren.jpg</image:loc>
      <image:title>Posts - Drawing the threads together - At MedRen, Caro Lesemann-Elliott presented on a round table chaired by Kirsten Gibson. The round table also included members of the project Dissemination, Ownership, and Reading of Music in Early Modern Europe (DORMEME) (Elisabeth Giselbrecht, Louisa Hunter-Bradley, and Katie McKeogh). Titled ‘Notated music in unexpected places’, the round table discussed how the MHP and DORMEME projects had extended approaches for where we look for early modern notated music, and how this music is situated historically  The place of notated music books, previously revered as some of the most authoritative sources, has rightly been questioned over the past decades, given growing awareness of the importance of oral and memorised transmission. In light of this change, the MHP and DORMEME teams explored how expectations and biases regarding ownership and users of notated sources compare with historical evidence, and how we can broaden our research horizons accordingly.</image:title>
      <image:caption>Caro presenting in Newcastle on notated sources c1500-1600 from Essex and Cornwall</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/679285af1b420a4c6a147698/9758625d-2c90-4568-91b0-effe1a803020/blog+photo+kirsten+steph.JPG</image:loc>
      <image:title>Posts - Drawing the threads together - Make it stand out</image:title>
      <image:caption>Steph and Kirsten at the DCDC conference in Durham</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/679285af1b420a4c6a147698/18a30a48-e2b1-4a43-83a0-bf3d410f444c/Steph+at+biennial+baroque.JPG</image:loc>
      <image:title>Posts - Drawing the threads together - Make it stand out</image:title>
      <image:caption>Steph presenting in Birmingham on the ‘venerable old Pile’ of music at Carlisle Cathedral in the 17th century</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/679285af1b420a4c6a147698/a6ef8cdb-938f-4dff-a1b8-b7edfc1eac33/andrew+rma.JPEG</image:loc>
      <image:title>Posts - Drawing the threads together - Make it stand out</image:title>
      <image:caption>Andrew presenting in Southampton on continental music in house libraries of rural 18th-century English gentry</image:caption>
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  </url>
  <url>
    <loc>https://www.musicheritageplace.uk/posts/d8w0wzdwcknrqvs1a0sz6zzsegb38l</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-23</lastmod>
  </url>
  <url>
    <loc>https://www.musicheritageplace.uk/posts/27lnssgjbmhluy2gsdau113vqlmk5v</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-07-22</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/679285af1b420a4c6a147698/9a5adeb0-f271-4370-a8d2-339b00c5ac4e/IMG_0356.JPG</image:loc>
      <image:title>Posts - RISM mission at Bern - From 12 to 16 May 2025, I joined four other researchers and three members of the RISM Digital Center team at the digital humanities centre at University of Bern in Switzerland to undertake a Short Term Scientific Mission (STSM) involving RISM-Online as part of the EU project EarlyMuse.</image:title>
      <image:caption>RISM stands for Répertoire International des Sources Musicales, an international organisation founded in 1952 dedicated to comprehensively documenting all historical music sources extant across the world. RISM-Online is a database that grew out of the online RISM catalogue. The database allows a wide variety of search functions, including search by incipit (i.e., searching by the first few bars of notated music in the source).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/679285af1b420a4c6a147698/10b84fb6-fdd4-475a-aad1-ff12f6d0c03b/STSM3+image.jpg</image:loc>
      <image:title>Posts - RISM mission at Bern - The residency focused on two main problems: (1) extracting information from the hard-copy RISM series catalogues, with the metadata suitably structured for import into RISM-Online and (2) finding a way to enable a broader range of contributers to enter data into Muscat, the back-end of the RISM-Online catalogue. Regarding the first challenge, RISM has published over 60 hard-copy catalogues listing historical music sources and holding information. Each catalogue is many hundreds of pages long, and, at present, the information from these catalogues must be entered manually into RISM-Online. Our task was to find a way to automate at least some of this process.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/679285af1b420a4c6a147698/cc012ab2-44b2-4370-9d60-2c3ec50fc1b9/IMG_0409.png</image:loc>
      <image:title>Posts - RISM mission at Bern - There remain many challenges to developing MiniMuscat, principally whether it would provide adequate return on investment of time and resources. However, it is clear that there are workable solutions for drawing catalogue data from a wider range of contributors while ensuring that RISM-Online continues to provide high-quality, reliable information for its users.  Developing MiniMuscat would also be a useful method for upskilling librarians and archivists, something that has been highlighted as an important endeavour by organisations like International Association of Music Libraries, Archives and Documentation Centres (IAML).</image:title>
      <image:caption>In addition to our experiments, grantees in attendance presented their projects and different approaches to gathering data, creating and curating databases, and encoding metadata. Andrew Hankinson also presented new tools being developed at the RISM Digital Center. The week was an excellent opportunity to exchange knowledge, test the practical abilities of new technologies, and see how these technologies fit with long-standing processes developed at the RISM Digital Centre.</image:caption>
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  </url>
  <url>
    <loc>https://www.musicheritageplace.uk/posts/we-are-the-song-detectorists</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-02</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/679285af1b420a4c6a147698/0490940a-5cd8-4016-a9f6-e968aaa85393/Viewing+Henry+Atkinson+tunebook.jpg</image:loc>
      <image:title>Posts - We are The Song Detectorists! - Make it stand out</image:title>
      <image:caption>Kirsten Gibson, Matthew Bannister and Steph Carter examining Henry Atkinson’s tunebook (1694) in Northumberland Archives</image:caption>
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  </url>
  <url>
    <loc>https://www.musicheritageplace.uk/posts/e6v67nr164q4sywdvw50hpov56wini</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-16</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/679285af1b420a4c6a147698/2f08e3c2-0305-4031-9c14-ce7ad481addc/Early+muse+blog+post+picture+1.jpg</image:loc>
      <image:title>Posts - European endeavours: the EarlyMuse working group in Bratislava - Make it stand out</image:title>
      <image:caption>Photos courtesy of EarlyMuse, Mr. Robert Erent (University Library Bratislava)</image:caption>
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      <image:title>Posts - European endeavours: the EarlyMuse working group in Bratislava - Make it stand out</image:title>
      <image:caption>Working group 2 (sources) meeting - photos courtesy of EarlyMuse, Mr. Robert Erent (University Library Bratislava)</image:caption>
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      <image:title>Posts - European endeavours: the EarlyMuse working group in Bratislava - Make it stand out</image:title>
      <image:caption>Joint working groups 2 and 5 meeting - photos courtesy of EarlyMuse, Mr. Robert Erent (University Library Bratislava)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/679285af1b420a4c6a147698/d592b78d-9016-4500-a6f7-b57ec0356ce0/Early+muse+blog+post+picture+5.jpg</image:loc>
      <image:title>Posts - European endeavours: the EarlyMuse working group in Bratislava - The most fundamental philosophical issue we tackled was how to consider heritage as musicological data and musicological data as heritage. By engaging with this issue throughout, our guidelines highlighted how the question of what ‘heritage’ is sometimes better understood by what it is not. Our guidelines comprise a starting point for pursuing a strategic goal of undermining previous research paradigms that built static narratives that were in turn imposed, in a wide variety of ways, on locations and musical communities, both today and historically.  The work of the Music, Heritage, Place team  was very informative for the discussions in Bratislava. EarlyMuse working group members collectively agreed that musicology as a field should recognise that we get the most out of historical music sources by engaging with localised ‘heritage’ infrastructure (such as county record offices) and the people that act within it. Our work thus far has shown the effectiveness of valuing input by local history enthusiasts and early music enthusiasts. There is much to learn by sharing research strategies and debates across national borders, and it was a pleasure to be a part of that exchange on behalf of the project.</image:title>
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  </url>
  <url>
    <loc>https://www.musicheritageplace.uk/posts/our-archive-journeysnbsp</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-27</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/679285af1b420a4c6a147698/d65f0b0e-4e37-4679-be39-3d3e7b6c08c4/Northumberland+Archives+at+Woodhorn+Museum.jpg</image:loc>
      <image:title>Posts - Our Archive Journeys&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Northumberland Archives is situated in Woodhorn Museum. The building is located alongside former colliery buildings on the site of an old pit. The design of the building was influenced by both the history of the site and the archive collections that were to be stored there.</image:caption>
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      <image:title>Posts - Our Archive Journeys&amp;nbsp; - Make it stand out</image:title>
      <image:caption>The Box, Plymouth, is located in the city centre. The building incorporates Plymouth’s original museum and art gallery (built by 1910) with a modern extension to house the museum, art and the Plymouth and West Devon archives collections under one roof.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Popular tunes from Maunsell of Thorpe Malsor tunebook, Northamptonshire Archive M(TM) 657</image:caption>
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